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Alessandro Allori Portrait of a Woman Portrait of a Woman (Bianca Cappello?) Oil on copper, 37 x 27 cm
Galleria degli Uffizi, Florence
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Alessandro Allori Christ with Mary and Martha Christ with Mary and Martha, oil on wood, 125 x 118 cm
Kunsthistorisches Museum
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Alessandro Allori With the red dog lady mk261 1580 -1585 oil painting in canvas 112 x 90 cm
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Alessandro Allori Portrait of Eleonora Medium Oil on panel
Dimensions Expression error: Missing operand for *114.5 ?? 89.5 cm
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Alessandro Allori Venus disarming Cupid. ca. 1570(1570)
Oil on panel
137.9 x 226.1 cm (54.3 x 89 in)
cjr
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Alessandro Allori Camilla Martelli oil on panel
66.5 x 51.5 cm
Date 16th century
cjr
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Alessandro Allori Portrait of Bianca Cappello Date 16th century
Medium Oil
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Alessandro Allori Venus disarming Cupid ca. 1570(1570)
Medium Oil on panel
Dimensions 137.9 x 226.1 cm (54.3 x 89 in)
cyf
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Alessandro Allori Portrait of a Young Man Date second half of 16th century
Medium Oil on canvas transferred from wood
Dimensions Height: 117 cm (46.1 in). Width: 87.5 cm (34.4 in).
cjr
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Alessandro Allori Susanna and The Elders second half of 16th century
Medium Oil on canvas
cyf
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Alessandro Allori Venus and Cupid Date second half of 16th century
Medium Oil on wood
cjr
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Alessandro Allori Portrat Isabella de Medicis from 1575(1575) until 1599(1599)
Medium oil on panel
Dimensions 56 x 44 cm (22 x 17.3 in)
cjr
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Alessandro Allori Portrait of Francesco de' Medici. c. 1560(1560)
Medium oil on canvas
Dimensions 98 X 79 cm (38.6 X 31.1 in)
cjr
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Alessandro Allori Sagrada Familia 1602(1602)
Medium oil on canvas
Dimensions 148 X 114 cm
cyf
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Alessandro Allori
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(May 3, 1535 - September 22, 1607) was an Italian portrait painter of the late Mannerist Florentine school.
Born in Florence, in 1540, after the death of his father, he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy.
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